In The Press

Coverage

Reviews, features, and news coverage of Rotting Corpse by magazines, blogs and podcasts, with direct links where they’re still live. Looking for the band’s own long reads? Those are in Articles. Need a bio, photo, or logo? See the press kit →

Throatgrind Magazine, Issue #3D

The Throatgrind Interview

A two-page interview in the print fanzine Throatgrind Magazine (issue #3D): the tape-trading days, the reunion shows, the vinyl reissues, and what comes next. Interview by Jochen and Ralf; photos from the band’s own archive.

Cover of Throatgrind Magazine issue #3D, listing Rotting Corpse among the featured bands
Issue #3D — Rotting Corpse on the cover line-up.
The two-page Rotting Corpse interview spread in Throatgrind Magazine
Pages 4–5: the full interview. Click to read it large.
2025

“Ain’t No Party Like A Rotting Corpse Party”

Ian Christe — author of Sound of the Beast and founder of Bazillion Points — on the band, written for the 2025 anthology.

“The Lone Star State even had its own Slayer! Riding out of Dallas like a tornado, spitting out guitar splinters, came sick-sounding early thrashers Rotting Corpse.”

Christe places the band in the tight, statewide clan of 1980s Texas metal that ran from Corpus Christi’s Devastation to Austin’s Watchtower — formed, as he puts it, by Dimebag’s guitar tech and a fellow Pantera roadie “while their bosses were still in spandex and pumping Keel and Cinderella covers.”

“The Rotting Corpse tapes have zealous energy that can’t be faked, and compared to a lot of excitable demo bands at the time, they could actually play their asses off — and hold fast tempos together.”

On what the band left behind without ever releasing a record: “For a band that for some reason never released a record, Rotting Corpse has a hell of a legacy. Along the way, they swapped members with Gammacide, Hellpreacher, and Devastation. Walter Trachsler briefly played guitar with Death on the ill-fated Spiritual Healing tour. It sure sounds like these guys influenced Pantera’s direction in the 1990s, which makes sense and carves a path straight to current-day Texans like Power Trip.”

And the closing line: “Well, if that’s the case, Pantera chose the right pony by partying with Rotting Corpse instead of Keel!”

Harder Beat, December 2005

“Mini Middle Age Renaissance”

Brian McLean’s feature, written as the reunion was picking up speed.

McLean caught the band a few months into their comeback and put the reason for it in Walt Trachsler’s mouth: “Old friends have come out of the woodwork, and a lot of people involved in the scene 20 years ago are taking an interest in us again.” Trachsler laughingly called it a mini middle age renaissance, and the name stuck to the piece.

The story also captures what the band sounded like to a room in 2005, in Steve Murphy’s words:

“When we play, it trips people out. It’s refreshing. We approach it from the early Exodus, Slayer, Dark Angel, Nasty Savage type of vein. It’s like a time capsule.”

And it recorded something that mattered more to the band than the tour dates did: the night after the first official reunion show, an Arlington homecoming at Division One, where original guitarist John Perez came up for a song and first vocalist Jim Mulqueen turned up too. McLean’s summary of the whole thing has aged well — “Some things rot with age but with Rotting Corpse, things have stayed the same.”

The Interview Archive

In Their Own Words

A run of long interviews from the reunion years, kept in the band’s own files, is where most of the detail on this site comes from — Steve Murphy with Texas Metal Underground on the Dallas scene and the Eldritch Rite years; a lengthy round-robin done for a Chinese metal magazine, with Murphy, John Perez, Randy Cook and Dave Gryder all answering; a European interview covering the demos song by song; and a fanzine piece with Murphy and Luke Brewer.

Some of what they cover: the yellow ESP that Darrell and Vinnie Paul gave Trachsler and that broke at every single show, the boat traded for studio time, the Arlington storage unit the band practised in with the door shut, the Dark Angel dates that lost money and broke down, and the label interest in 1986 and 1987 that nobody signed.

“It was a weird cool time and I wouldn’t trade being young now or back in the 80’s for anything.” — Steve Murphy

The full story is on the history page →

Coverage & Reviews

2025

Ian Christe / Bazillion Points — "Ain’t No Party Like A Rotting Corpse Party"

Written for the Thrash in Pain or Die Insane release by the author of Sound of the Beast. Quoted at the top of this page.

2005

Harder Beat — "Mini Middle Age Renaissance"

Brian McLean’s December 2005 feature on the reunion, the Arlington homecoming, and why young crowds started turning up.

2005

Blabbermouth — Vinnie Paul-Produced Demos To Be Released On CD

Announces The Demos, a 100-copy, hand-numbered, signed CD compiling all four original tapes chronologically.

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2004

Blabbermouth — Rotting Corpse To Reunite For Album, Tour

The original reunion announcement. Trachsler: "Many well-known guest musicians have expressed interest in playing on and playing with Texas’ first thrash metal band."

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2026

Twilight Magazin

Review of Thrash in Pain or Die Insane, comparing the band to Devastation and Morbid Saint.

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2026

Musikreviews.de

Review of Thrash in Pain or Die Insane.

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2010

Metal-Rules.com

Review of The Demos compilation.

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2007

Bazillion Points — "The Original Rotting Cowboys From Hell"

Demo-archive feature on the band’s formation and 1986 debut demo, from the publisher behind several major metal history books.

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2005

Blabbermouth — Artist of the Month

Named October 2005 Artist of the Month, with an interview featuring bassist Steve Murphy. The original archive page is currently offline — no working link found.

Dallas Observer

Not a feature on Rotting Corpse itself — a profile of Rigor Mortis’s Bruce Corbitt that name-checks Rotting Corpse bassist Steve Murphy as part of the same North Texas scene.

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From The Archive Desk

All articles →
The Fort Worth, Texas skyline in daylight, seen from across the Trinity River

Texas Thrash · 8 min read

The Dallas–Fort Worth Metal Scene in the 1980s: Three Rooms That Built It

Dallas went punk and new wave. Arlington and Fort Worth went metal, in a pasture, a bar, a tombstone factory and a garage a Lebanese landlord never wanted to be a metal club.

Cover of Gammacide's Victims of Science: two figures in gas masks and camouflage on a yellow, chemical-stained hillside under a red sky, with a black barrel stencilled Gammacide

Texas Thrash · 10 min read

Gammacide: The Arlington Thrash Band Behind Victims of Science

One album on a tiny California label, a decade of silence, and a record that kept finding new listeners until the band had to come back for it.

Walt Trachsler of Rotting Corpse and Darrell Abbott of Pantera together in the 1980s

Texas Thrash · 10 min read

Pantego Sound Studio: The Small Texas Room Where Pantera, Gammacide and Rotting Corpse Recorded

A country songwriter’s studio at the end of a dead-end street in a one-square-mile town made Cowboys From Hell, Vulgar Display of Power and half the thrash demos in Dallas–Fort Worth.

Fuel The Tour

From The Merch Table

Everything in the store →

Follow Along on Instagram

Show flyers, throwbacks, and the next date — posted straight from the band, first.

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