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Dallas went punk and new wave. Arlington and Fort Worth went metal, in a pasture, a bar, a tombstone factory and a garage a Lebanese landlord never wanted to be a metal club.

One album on a tiny California label, a decade of silence, and a record that kept finding new listeners until the band had to come back for it.

A country songwriter’s studio at the end of a dead-end street in a one-square-mile town made Cowboys From Hell, Vulgar Display of Power and half the thrash demos in Dallas–Fort Worth.