Long reads published by the band: thrash metal history, the Texas scene that grew up around it, and where to hear it live now. What other outlets have written is under Coverage.

Dallas went punk and new wave. Arlington and Fort Worth went metal, in a pasture, a bar, a tombstone factory and a garage a Lebanese landlord never wanted to be a metal club.

One album on a tiny California label, a decade of silence, and a record that kept finding new listeners until the band had to come back for it.

A country songwriter’s studio at the end of a dead-end street in a one-square-mile town made Cowboys From Hell, Vulgar Display of Power and half the thrash demos in Dallas–Fort Worth.

Four self-released albums, a father’s studio in Pantego, three sets a night in Texas bars, and a singer change that turned a Kiss-and-Van-Halen cover band into something heavier.
A short-lived bar that changed everything. From its opening in May 1985 to its closure six months later, Rascals in south Arlington was the only place in North Texas where metal fans could go.

Four kids from Arlington cut a ten-hour demo in Garland, handed out 500 cassettes at the Tombstone Factory, and became the first Texas thrash band with a major-label deal.

Arlington pastures, a Fort Worth club called the Tombstone Factory, an Austin band inventing technical thrash in 1985: the Texas story nobody has told in one place.

Before Pantera went heavy and before Rigor Mortis signed to Capitol, a band from Arlington built the stage, opened the club and wrote the songs everyone else followed.